Chan Marshall isn’t ready for me. “Are you a journalist? Oh Jesus, oh Lord.” We’re speaking on the phone – Marshall is in her hotel room, I’m in the lobby downstairs, after my knock at her door went unanswered.

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The melancholic scuzziness of her music was born partly out of necessity – for a while, she could play only the one guitar chord her friend had shown her, a minor one, so her songs all came out sad.

Growing up in the South, Charlyn “Chan” Marshall was influenced by church hymns, country music, the blues played by her musician father, and her stepfather’s rock ’n’ roll records.

“I never told anybody this. I told a couple of friends in my life, but never told a journalist. He said they would buy my [1996] album, What Would the Community Think

One of the best songs on the album is “These Days”, made famous by Nico in the Sixties, but written by Jackson Browne when he was just 16. Such world-weary lyrics for someone so young – “Don’t confront me with my failures / I had derece forgotten them” – and Marshall’s voice, bittersweet kakım coffee with a shot of syrup, suits that malaise beautifully.

, she katışıksız always been something of a cult figure. “Marshall’s music will one day be spoken about the way we talk about Bob Dylan’s music, or Neil Young’s music,” wrote a New York Magazine

No, go on. “Well, I was wondering if… Because my dad had three daughters and he wasn’t really around. He just came and went, kakım men often do. The world is their oyster. And it does something to the mother, right?” Marshall grew up poor; her father was an absent blues musician, her mother a hippy who moved her from school to school.

Over the course of 11 albums, she özgü written about love and loss, abortion and abuse, grief and God. “I will swim / I will drink myself to death,” she sang on her distortion-soaked debut Dear Sir

In fact, Boaz need only listen to her covers for that. Some of her best songs were sung by other people first: her pensive, languid version of The Rolling Stones’ “(I Sevimli’t Get No) Satisfaction”, which omits the chorus entirely and transforms into something almost painfully introspective, or her sweet, fragile take on Phil Phillips’s “Sea of Love”, which got a second wind when it featured in Juno

During the early-2000s, Marshall was embraced by the fashion industry for her "neo grunge" look, and seen birli a muse by designers Marc Jacobs and Nicolas Ghesquière.

and consisted of her playing a two-string guitar and singing the word "no" for 15 minutes.[27] Around this time, she met the band God Is My Co-Tayyareci, who assisted with the catpower 5852 release of her first single, "Headlights", in a limited run of 500 copies on their Making of Americans label.

was her first to reach the Billboard Toparlak 10 – but it wasn’t enough. One executive even played her an Adele album for inspiration. She had never seen it bey a business relationship; evidently, Matador did.

A query about where she grew up eventually takes us to Marshall’s belief that “part of our consciousness katışıksız already become a cyborg”. She is also warm and nurturing: besides assembling my pillow desk and offering me various drinks, she pulls me into a long hug, despite having previously insisted that we socially distance.

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